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M. Ward - Interview by Mark Mordue. "A musical love letter to a friend who has passed away - as Ward puts it in the sleeve notes, "this record was designed to keep the loss alive and behind me.""

Marilyn Manson by Mark Mordue. "...that awful feeling of an artist on the slide - despite the thousands of fans here to see the self-proclaimed ‘God of Fuck’ do it to them one more time."

Mexico City / The Black Keys by Mark Mordue""I knew something was up when I came in through the door. You were in tears and my shit was all over the floor..."  Put me in it man. Take me there."

Loretta Goldberg's "Zygotones" by Ryn Gagunlinski.   "At first it sounds like noise.  Not bad noise, mind you.  It is not annoying like a screeching subway or angry like a pissed-off mom.  But it's piano noise, playfully discordant, beautifully fanciful.   On second listen, however, and after reading the CD insert, the noise develops into much, much more."

Morrissey by Mark Mordue. "Curious creature. Half denying us yet wanting our love, chilling us with the dark edges of sadness yet exalting us to ecstasy if not joy; amusing us with your wit and theatricality and some other strange quality that appears to pass over you like a constant spasm of narcissism...."

The Vines by Mark Mordue. "... Craig Nicholls performed like a god. Big gestures, ecstatic motions, rolling over the drum kit in a radical spinal twist, aiming his feedbacking guitar at the audience and letting it hum over their heads like a wand."

Dirty Three: Alive in the City of Sound by Mark Mordue. "Sometimes I could just run into a river and drown. That's what I'm thinking about mid-way into the set tonight when some electrical thing passes over me and this other realization comes that sound is the city's river and we're here in it already..."

Nick Cave and the Bad Seeds by Mark Mordue. "And so to the question on everyone’s lips: can Nick Cave still rock?"  Read to find out.

Tex Perkins and His Dark Horses by Mark Mordue. "...quiet, secretive talk of music from the margins, a certain cowboy existentialism."

Radiohead: Ghosts in the Machine by Mark Mordue. "...This is tomorrow's music from today's romantics, struggling to maintain emotional efficacy in a world increasingly iced by electronic light: the internet, surveillance, reality TV, automated transactions, voyeurism, a denatured and alienated global communications 'village' where contact is  byte-sized...."

Ben Harper: "The Gift" by Mark Mordue"...at the10th East Coast Blues and Roots Music Festival in Byron Bay, Australia, as a wild storm screams and expectations are desperately high for a musical force to free us from inclement misery..."

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