The idea behind this section is a simple one:
each issue will feature a short story taken from the public domain. We call this
section Shaking Hands with the Past because though we want to be as current as
possible, we also want to connect readers with previous generations.
We hope the stories arent dulled by
over-familiarity, so well stay from anything you might have read in college.
Well also try to keep introductions as short as possible and promise that no matter
how hip we get, well never spoil the story by giving away the end. -- Erik Seadale
Sredni Vashtar
by Saki (H. H. Munro)
Conradin
was ten years old, and the doctor had pronounced his professional opinion that the boy
would not live another five years. The doctor was silky and effete, and counted for
little, but his opinion was endorsed by Mrs. De Ropp, who counted for nearly everything.
Mrs. De Ropp was Conradin's cousin and guardian, and in his eyes she represented those
three-fifths of the world that are necessary and disagreeable and real; the other
two-fifths, in perpetual antagonism to the foregoing, were summed up in himself and his
imagination. One of these days Conradin supposed he would succumb to the mastering
pressure of wearisome necessary things---such as illnesses and coddling restrictions and
drawn-out dulness. Without his imagination, which was rampant under the spur of
loneliness, he would have succumbed long ago.
Mrs. De Ropp would never, in her honestest moments, have confessed to herself that she
disliked Conradin, though she might have been dimly aware that thwarting him ``for his
good'' was a duty which she did not find particularly irksome. Conradin hated her with a
desperate sincerity which he was perfectly able to mask. Such few pleasures as he could
contrive for himself gained an added relish from the likelihood that they would be
displeasing to his guardian, and from the realm of his imagination she was locked out---an
unclean thing, which should find no entrance.
In the dull, cheerless garden, overlooked by so many windows that were ready to open with
a message not to do this or that, or a reminder that medicines were due, he found little
attraction. The few fruit-trees that it contained were set jealously apart from his
plucking, as though they were rare specimens of their kind blooming in an arid waste; it
would probably have been difficult to find a market-gardener who would have offered ten
shillings for their entire yearly produce. In a forgotten corner, however, almost hidden
behind a dismal shrubbery, was a disused tool-shed of respectable proportions, and within
its walls Conradin found a haven, something that took on the varying aspects of a playroom
and a cathedral. He had peopled it with a legion of familiar phantoms, evoked partly from
fragments of history and partly from his own brain, but it also boasted two inmates of
flesh and blood. In one corner lived a ragged-plumaged Houdan hen, on which the boy
lavished an affection that had scarcely another outlet. Further back in the gloom stood a
large hutch, divided into two compartments, one of which was fronted with close iron bars.
This was the abode of a large polecat-ferret, which a friendly butcher-boy had once
smuggled, cage and all, into its present quarters, in exchange for a long-secreted hoard
of small silver. Conradin was dreadfully afraid of the lithe, sharp-fanged beast, but it
was his most treasured possession. Its very presence in the tool-shed was a secret and
fearful joy, to be kept scrupulously from the knowledge of the Woman, as he privately
dubbed his cousin. And one day, out of Heaven knows what material, he spun the beast a
wonderful name, and from that moment it grew into a god and a religion. The Woman indulged
in religion once a week at a church near by, and took Conradin with her, but to him the
church service was an alien rite in the House of Rimmon. Every Thursday, in the dim and
musty silence of the tool-shed, he worshipped with mystic and elaborate ceremonial before
the wooden hutch where dwelt Sredni Vashtar, the great ferret. Red flowers in their season
and scarlet berries in the winter-time were offered at his shrine, for he was a god who
laid some special stress on the fierce impatient side of things, as opposed to the Woman's
religion, which, as far as Conradin could observe, went to great lengths in the contrary
direction. And on great festivals powdered nutmeg was strewn in front of his hutch, an
important feature of the offering being that the nutmeg had to be stolen. These festivals
were of irregular occurrence, and were chiefly appointed to celebrate some passing event.
On one occasion, when Mrs. De Ropp suffered from acute toothache for three days, Conradin
kept up the festival during the entire three days, and almost succeeded in persuading
himself that Sredni Vashtar was personally responsible for the toothache. If the malady
had lasted for another day the supply of nutmeg would have given out.
The Houdan hen was never drawn into the cult of Sredni Vashtar. Conradin had long ago
settled that she was an Anabaptist. He did not pretend to have the remotest knowledge as
to what an Anabaptist was, but he privately hoped that it was dashing and not very
respectable. Mrs. De Ropp was the ground plan on which he based and detested all
respectability.
After a while Conradin's absorption in the tool-shed began to attract the notice of his
guardian. ``It is not good for him to be pottering down there in all weathers,'' she
promptly decided, and at breakfast one morning she announced that the Houdan hen had been
sold and taken away overnight. With her short-sighted eyes she peered at Conradin, waiting
for an outbreak of rage and sorrow, which she was ready to rebuke with a flow of excellent
precepts and reasoning. But Conradin said nothing: there was nothing to be said. Something
perhaps in his white set face gave her a momentary qualm, for at tea that afternoon there
was toast on the table, a delicacy which she usually banned on the ground that it was bad
for him; also because the making of it ``gave trouble,'' a deadly offence in the
middle-class feminine eye.
``I thought you liked toast,'' she exclaimed, with an injured air, observing that he did
not touch it.
``Sometimes,'' said Conradin.
In the shed that evening there was an innovation in the worship of the hutch-god. Conradin
had been wont to chant his praises, tonight be asked a boon.
``Do one thing for me, Sredni Vashtar.''
The thing was not specified. As Sredni Vashtar was a god he must be supposed to know. And
choking back a sob as he looked at that other empty comer, Conradin went back to the world
he so hated.
And every night, in the welcome darkness of his bedroom, and every evening in the dusk of
the tool-shed, Conradin's bitter litany went up: "Do one thing for me, Sredni
Vashtar."
Mrs. De Ropp noticed that the visits to the shed did not cease, and one day she made a
further journey of inspection.
"What are you keeping in that locked hutch?" she asked. "I believe it's
guinea-pigs. I'll have them all cleared away."
Conradin shut his lips tight, but the Woman ransacked his bedroom till she found the
carefully hidden key, and forthwith marched down to the shed to complete her discovery. It
was a cold afternoon, and Conradin had been bidden to keep to the house. From the furthest
window of the dining-room the door of the shed could just be seen beyond the corner of the
shrubbery, and there Conradin stationed himself. He saw the Woman enter, and then be
imagined her opening the door of the sacred hutch and peering down with her short-sighted
eyes into the thick straw bed where his god lay hidden. Perhaps she would prod at the
straw in her clumsy impatience. And Conradin fervently breathed his prayer for the last
time. But he knew as he prayed that he did not believe. He knew that the Woman would come
out presently with that pursed smile he loathed so well on her face, and that in an hour
or two the gardener would carry away his wonderful god, a god no longer, but a simple
brown ferret in a hutch. And he knew that the Woman would triumph always as she triumphed
now, and that he would grow ever more sickly under her pestering and domineering and
superior wisdom, till one day nothing would matter much more with him, and the doctor
would be proved right. And in the sting and misery of his defeat, he began to chant loudly
and defiantly the hymn of his threatened idol:
Sredni Vashtar went forth,
His thoughts were red thoughts and his teeth were white.
His enemies called for peace, but he brought them death.
Sredni Vashtar the Beautiful.
And then of a sudden he stopped his chanting and drew closer to the window-pane. The door
of the shed still stood ajar as it had been left, and the minutes were slipping by. They
were long minutes, but they slipped by nevertheless. He watched the starlings running and
flying in little parties across the lawn; he counted them over and over again, with one
eye always on that swinging door. A sour-faced maid came in to lay the table for tea, and
still Conradin stood and waited and watched. Hope had crept by inches into his heart, and
now a look of triumph began to blaze in his eyes that had only known the wistful patience
of defeat. Under his breath, with a furtive exultation, he began once again the pćan of
victory and devastation. And presently his eyes were rewarded: out through that doorway
came a long, low, yellow-and-brown beast, with eyes a-blink at the waning daylight, and
dark wet stains around the fur of jaws and throat. Conradin dropped on his knees. The
great polecat-ferret made its way down to a small brook at the foot of the garden, drank
for a moment, then crossed a little plank bridge and was lost to sight in the bushes. Such
was the passing of Sredni Vashtar.
"Tea is ready," said the sour-faced maid; "where is the mistress?"
"She went down to the shed some time ago," said Conradin. And while the maid
went to summon her mistress to tea, Conradin fished a toasting-fork out of the sideboard
drawer and proceeded to toast himself a piece of bread. And during the toasting of it and
the buttering of it with much butter and the slow enjoyment of eating it, Conradin
listened to the noises and silences which fell in quick spasms beyond the dining-room
door. The loud foolish screaming of the maid, the answering chorus of wondering
ejaculations from the kitchen region, the scuttering footsteps and hurried embassies for
outside help, and then, after a lull, the scared sobbings and the shuffling tread of those
who bore a heavy burden into the house.
"Whoever will break it to the poor child? I couldn't for the life of me!"
exclaimed a shrill voice. And while they debated the matter among themselves, Conradin
made himself another piece of toast.
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